We'll get to Chris Hemsworth talking about doing a Snow White and the Huntsman sequel with Kristen Stewart in just a minute!
First, the 30-year-old hunky Aussie actor is talking about stripping down and getting naked in the first 10 minutes of his new racing flick Rush.
"I remember reading the script going, 'I wonder if that will stay in there?'" Hemsworth told E! News of the nude scene while at the Toronto International Film Festival. "And I said to [director] Ron [Howard], 'What's the rating on the film and where is it going to sit?' We shot it, yeah, and it's in there."
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But Hemsworth, who plays Formula 1 racer James Hunt in the film, wasn't too nervous about the sexy scene. "I've been training a lot anyway but it's still pretty awkward," he smiled. "It's more intimidating than the driving scenes...a hundred people standing around and cameras and, 'Quick! Get your gear off.'"
Meanwhile, Liam Hemsworth's older bro says he hasn't heard anything about doing a sequel to his and Stewart's 2012 Huntsman flick. "I don't know," he dished. "If there's a hunger for another one. I had a great time making the film. I'm not sure what they plan on doing. I'm kind of booked up in Avengers [2], we do Avengers next year and that kind of takes up most of the year. And then press for Thor [2] this year and it just depends when we can squeeze it in. It's getting kind of narrower and narrower."
Watch the clips for yourself and get the scoop on how much weight Hemsworth had to lose for Rush!
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Gayatri, on the other hand, knows exactly what she wants from life. She is an independent woman – and the man of the house – figuring out living expenses, insisting that her live-in boyfriend takes turns cooking and is unapologetic about having had relationships in the past.
In the film’s first half, writer Jaideep Sahni and director Maneesh Sharma depict the flowering of a relationship with panache. Raghu and Gayatri find their way around each other, alternating between suspicion and trust, and an all-consuming lust. The writer and director weave a lovely background in the city of Jaipur, merging its modernity with the straitjacketed thought process typical of the Indian middle class.
The first half of Shuddh Desi Romance is racy enough to hold your attention, but then it loses steam. The director’s technique of getting the characters to talk to the camera is jarring – almost as if he is too lazy to reveal their motives through action.